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Francisco Nicolas
Francisco Nicholas photographs serve as the backdrop upon which layers of superimposed abstraction can accrue and underpinning forms can be surmounted. Juxtapositions of the figurative and the abstract, antique and contemporary are drawn as the intrinsic reality of the photograph is challenged. Coloured acetate panels, affixed to the surface of the work further convolute our impression of the facade, as fragmentary windows frame aspects of the work in new light. By printing his images directly on to canvas and mixing mediums in seemingly unnatural ways Nicholas realigns the ambition of photography with that of supposedly more malleable mediums.
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